The critically acclaimed national bestseller, now in paperback.
While the Civil War raged in America, another revolution took shape across
the Atlantic, in the studios of Paris: The artists who would make Impressionism
the most popular art form in history were showing their first paintings amidst
scorn and derision from the French artistic establishment. Indeed, no artistic
movement has ever been quite so controversial. The drama of its birth, played
out on canvas and against the backdrop of the Franco-Prussian War and the Commune,
would at times resemble a battlefield; and as Ross King reveals, it would reorder
both history and culture, and resonate around the world.
Praise for The Judgment of Paris:
"The Judgment of Paris tells a well-known story, but one seldom
recounted in such vivid detail, or with such a novelistic sense of plot and
character...In all, King pulls off a tour de force of complex narrative
that readers of his previous books about the Sistine Chapel or Brunelleschi's
dome will have come to expect."—Diane Johnson, New York Times
Book Review
"Riveting...Such material could have been tedious in less nimble literary
hands. But so thorough is King's grasp of the Second Empire's cultural politics,
so ironic his wit and choice of detail, that his text remains a page-turner throughout."—Francine
du Plessix Gray, Los Angeles Times
"[A] spirited account of the decade-long battle between France's officially
sanctioned history painters and the wild tribe of upstarts contemptuously dismissed
as "impressionists"…[told] with tremendous energy and skill.
It is hard to imagine a more inviting account of the artistic civil war that
raged around the Paris Salons of the 1860's and 70's, or of the outsize personalities
who transformed the way the world looked at painting."—William Grimes, The
New York Times
"This is the most engrossing, finely written, richly detailed book of popular
history I've encountered in a long, long time."—David Walton, Philadelphia
Inquirer
"A marvelously well-structured history and a deeply pleasurable read."—Donna
Seaman, Chicago Tribune
"King has made a career of elucidating crucial episodes in the history of
art and architecture. This time he's at play in the fields of French art
and society from 1863 to 1874…At the same time, the vainglorious Emperor
Louis-Napoleon was stumbling into the calamities of war and revolution. Eventually
art would imitate life; all the old orders would come crashing down; and Manet,
Monet and Cézanne would emerge from the wreckage. King's account of that
all-important crack-up is full of smart pleasures."—Richard Lacayo, Time
Magazine
"The Judgment of Paris has the stylistic grace, the abundance of
entertaining anecdotes and the shrewd marshaling of facts that made King's Brunelleschi's
Dome a best-seller and his Michelangelo and the Pope's Ceiling a National
Book Critics Circle award finalist."—Charles Matthews, San Francisco
Chronicle
"King writes art history as tapestry."—Matthew Price, Newsday